Within the first five minutes of walking into graphic designer Stefan Sagmeister’s exhibit, “The Happy Show,” at the Institute of Contemporary Art in Philadelphia, I found myself being instructed to drop a quarter into a machine whose destination seemed to be smack in the middle of the sidewalk outside (and conferred no immediate gratification to do so: no gumball, no decoder ring, no stuffed toy to reward the action). On blind faith and curiosity, I did so.
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